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Posts Tagged ‘maps’

The answer to all these questions (which I know have been troubling you for many years) is: sort of.

I’m sure you spotted this years ago, but I have only just discovered the ‘Traffic’ box on the right-hand side of Google Maps, where you can tick the Public Transport option, and – hey presto – see exactly where the tube lines run in relation to street-level reality. I’ve seen these ‘real geography’ (there must be a technical term for this) maps before, and I know that the very first tube maps – like the present Paris Metro maps – were more or less real, without the present simplification, and so with the kinks and the corners and the vast expanses between suburban stations left in. But I haven’t played around and explored the detail in this way.

What it doesn’t show is the zillions of miles you have to unknowingly walk when changing between lines that are theoretically at the same station – e.g. Green Park, Kings Cross, etc. At least Paddington, Bank, etc, have the honesty to have multiple white ‘station dots’ (more technical vocabulary needed please)  linked with the white lines to announce that they are not really the same tube station but no-one has had the nerve to admit it yet.

There must be some site or app that brings to light these dark secrets of the Underground system. Do post one in the comments if you can find it.

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I’ve finally been to see the Magnificent Maps exhibition at the British Library. (Note: British Library not British Museum). It runs until 19th September, so there are still a few days for you to catch it. And it’s free.

They are absolutely beautiful objects, beautiful works of art in themselves. What came across to me very strongly was a philosophical idea that I pondered a lot when I was writing my Aquinas and Sartre book: As human beings, we don’t just see the world, we see our own seeing, and then we are able to look back at the world and compare this new mental/physical representation with what stands before us.

This feedback process doesn’t just affect the representation itself (which is obvious), it also affects the way we see this ‘objective’ reality we are facing. There is no such thing, in other words, as a neutral vision of what the world is like. It is always affected by our thoughts, our preconceptions, our culture – and in this case by our maps. It doesn’t mean there is no such thing as truth or objectivity. It means that we will only ever reach that truth through the medium of our own understanding and language.

Every map in this exhibition was created for a purpose – that’s what comes across so clearly. It shows your power (the boundaries of your land are clearly marked), your patriotism (other countries are seen in relation to your own), your military intention (you want to see what the hedges and ditches really look like, so you will recognise them on the battlefield), your faith (Jerusalem is placed at the very centre of the world in many of the medieval maps).

I took particular personal delight in examining a map of Rome by Leonardo Bufalini, a woodcut from 1551. It’s the first large-scale map of the city to have been been created since 200AD. Peering around the bottom half of the map, almost mid-way between the Vatican and Circus Maximus, just above the ‘VIA IVLIA’, I found the plan of a building marked ‘S. TOMAS’, which is the seminary where I trained to be a priest from 1992-97 – the Venerable English College. Fantastic to think that all those centuries ago this particular building, one of thousands in Rome, was caught in the gaze of Bufalini, and sits there now in the British Library. But this was just a few years before it became a seminary for English priests.

Here are some thoughts by Rachel Campbell Johnston about the exhibition:

The art of map-making is an ancient one. It’s hardly surprising: over the centuries, as cartographers crept their slow way across the surface of the planet, the pictures that they created helped people to fit the myriad scattered fragments of a sprawling geographical puzzle into place. But, as the face of the world has grown ever more familiar, have we come to think of the map merely as a literal translation? Accurate, objective and useful it may be but where, many may wonder as they anticipate the British Library’s latest exhibition, is the creative flare that can turn a dry topographical record into a fertile territory for imaginative exploration?

Magnificent Maps: Power, Propaganda and Art is a show to overturn such expectations. It leads the visitor — a bit like some erstwhile explorer — on a creative adventure around the back of that flat piece of paper we think of as the world. Drawing on the finest collection of maps on this planet — the British Library has more than four million to choose from, the vast majority of which are only very rarely, if ever, put on public display — the exhibition sets out to make clear that these pictures are about far more than mere physical description. They are a series of subjective images, each shaped by the beliefs and desires, the ambitions and prejudices, the passions and anxieties of its period.

The spectator looks at the world from myriad perspectives. “Which is more important — the Last Judgment or the correct placement of Birmingham?” asks the curator Peter Barber who, even in the 30 years that he has worked at the library, has probably managed to examine barely a third of its collection. What tells you more about a country: a picture of a dog-headed cannibal or a description of its coastline? The visitor is invited to wander through a world before it was charted, into lands where the unknown is as vivid as the observable fact. […]

Their artistry serves a purpose. Far from objective, scientifically created records, these images have an imaginative agenda. Together they tell a story of power, plunder and possession. They are made to keep watch over spreading dominions, to assert forceful ownership or project a sense of civic pride. Maps — from the medieval visions of a king as a godlike power to the blatant posters of the Bolsheviks — serve as propaganda. The more ornate, the more striking, the more pleasing they look, the more persuasive and easily swallowed their message becomes.

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I haven’t been to the map exhibition yet at the British Library. But in a recent conversation someone was telling me about the history of ‘upside down’ maps.

It was a delight to discover so many of these on the internet. It had always puzzled me why the map of the world is always printed one way up — with the North at the top and the South at the bottom. And I’d wondered about the psychological and cultural effects this must have on our understanding of the world.

It was hard enough for me to see an old Australian school atlas with Australia in the centre, Asia, Europe and Africa to the left, and the Americas down the right-hand side. Let alone turning the whole thing upside down. But why not?

Most of the images on the net are in copyright, but this one below is Creative Commons:

I remember seeing a TV documentary years ago about an experiment to change one’s ordinary perception. Some team had designed a set of ‘spectacles’ that you wore, a set of small mirrors that turned your visual world upside down, literally 180°. So you looked out and saw the same normal world, but the sky was at the ‘top’ and the ground at the ‘bottom’.

The remarkable thing was that after about 48 hours of wearing these mirrors, the volunteers involved in this experiment could function normally. Their brains had readjusted. One of the scenes showed them riding bicycles!

[Ann Karp, the designer of the image above, wrote the following: “This is an image I created for the back of a t-shirt. It was done for Cafe Campesino (www.cafecampesino.com), a wonderful fair trade coffee company. The upside down map is also the Peters version of the map of the world–notice the landmasses, accurate in area compared with your traditional Eurocentric map.”]

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There have been lots of good articles out about Matteo Ricci, the Jesuit missionary to China, in this year which marks the 400th anniversary of his death. This one by Nicolas Standaert shows how much Ricci and his missionary strategy was shaped by the Chinese culture in which he was immersed.

The first part of the article gives a very helpful summary of the distinctive approach to mission that he developed, under the influence of his former novice master Alessandro Valignano. It would be interesting to apply these principles to the way Christians approach the secular culture in the West today.

Four characteristics of Jesuit missionary strategy in China

As a starting point one can make a first – rather traditional – reading of Ricci’s life by focusing on the missionary himself. The ‘Jesuit missionary strategy’ in China was conceived by Alessandro Valignano (1539-1606), who was the former novice master of Matteo Ricci (1552-1610) and who was Jesuit visitor for East Asia during the period 1574-1606. His strategy was creatively put into practice by Matteo Ricci. Later generations, well into the eighteenth century, associated this strategy with Ricci and called it the ‘Ricci-method’. It can be described by four major characteristics[7]:

1. A policy of accommodation or adaptation to Chinese culture.[8] Valignano, who had been disappointed by the limited degree of the Jesuits’ adaptation to Japanese culture, insisted in the first place on knowledge of the Chinese language. Therefore he called a few Jesuits to Macao in 1579 ordering them to focus their attention entirely on the study of language (fellow Jesuits criticised them for spending all their time studying Chinese). Two years later Michele Ruggieri (1543-1607) entered China through the south, and Matteo Ricci followed one year later. Probably inspired by the Japanese situation, they dressed like Buddhist monks. In 1595, after nearly fifteen years of experience, they changed this policy and adapted themselves to the life-style and etiquette of the Confucian elite of literati and officials. Ricci was responsible for this change. This new policy remained unchanged throughout the whole seventeenth century and for most Jesuit missionaries Matteo Ricci became the reference point with regard to the accommodation policy.

2. Propagation and evangelisation ‘from the top down’. Jesuits addressed themselves to the literate elite. The underlying idea was that if this elite, preferably the Emperor and his court, were converted, the whole country would be won for Christianity. The elite consisted mainly of literati, who had spent many years of their life preparing for the examinations they needed to pass to become officials. For these examinations they had to learn the Confucian classics and the commentaries. After having passed the Metropolitan examinations, which took place in Beijing every three years and at which about three hundred candidates were selected, they entered the official bureaucracy and received appointments as district magistrates or positions in the ministries. As in modern diplomatic service, the offices usually changed every three years. In order to enter into contact with this elite, Ricci studied the Confucian classics and, with his remarkable gift of memory, became a welcome guest at the philosophical discussion groups that were organised by this elite.

3. Indirect propagation of the faith by using European science and technology in order to attract the attention of the educated Chinese and convince them of the high level of European civilisation. Ricci offered a European clock to the Emperor, he introduced paintings which impressed the Chinese with their use of perspective, translated mathematical writings of Euclid with the commentaries of the famous Jesuit mathematician Christophorus Clavius (1538-1612), and printed an enormous global map which integrated the results of the latest world explorations. By these activities Ricci established friendly relationships which sometimes resulted in the conversion of members of the elite: Xu Guangqi (1562-1633; baptised as Paul in 1603) and Li Zhizao (1565-1630; baptised as Leo in 1610) are the most famous of Ricci’s time.

4. Openness to and tolerance of Chinese values. In China, Matteo Ricci encountered a society with high moral values, for which he expressed his admiration. Educated in the best Jesuit humanistic tradition, he favourably compared Confucius (552-479 BC) with ‘an other Seneca’ and the Confucians with ‘a sect of Epicurians, not in name, but in their laws and opinions’.[9] Ricci was of the opinion that the excellent ethical and social doctrine of Confucianism should be complemented with the metaphysical ideas of Christianity. However, he rejected Buddhism, Taoism, and Neo-Confucianism, which in his eyes was corrupted by Buddhism. Ricci pleaded for a return to original Confucianism, which he considered to be a philosophy based on natural law. In his opinion it contained the idea of God. Finally, he adopted a tolerant attitude towards certain Confucian rites, such as the ancestral worship and the veneration of Confucius, which soon were labelled ‘civil rites’.

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map — nov 28 by theogeo.

Two fascinating stories about China appeared in the press today – both of them, by coincidence, touching on her relationship with the West and her openness to outsiders.

First, a 400 year-old Chinese map went on display yesterday at the Library of Congress in Washington. It’s the first Chinese map to combine both eastern and western cartography, and hence the first to show China in relation to the Americas. Who was it created by? An Italian Jesuit missionary called Matteo Ricci:

One of the first westerners to live in what is now Beijing in the early 1600s, Ricci was famed for introducing western science to China, where he created the map in 1602 at the request of Emperor Wanli.

Shown publicly for the first time in North America, the map provides an impressively detailed vision of the different regions of the world with pictures and annotations.

Africa is noted as having the world’s highest mountain and longest river, while Florida is identified as “the Land of Flowers”. A description of North America mentions “humped oxen” or bison and wild horses, and there is even a reference to the little-known region of “Ka-na-ta”.

Ricci, revered and buried in his adopted home, provided a brief description of the discovery of the Americas. “In olden days, nobody had ever known that there were such places as North and South America or Magellanica,” he wrote, using a label that early mapmakers gave to Australia and Antarctica. “But a hundred years ago, Europeans came sailing in their ships to parts of the sea coast, and so discovered them.”

Ricci went to China with an open mind and an open heart, deeply sensitive to Chinese culture and sensibilities. At the same time, he was unembarrassed to share his own culture with the Chinese – whether scientific, religious, or cartographical… and the Chinese were remarkably open to this.

The second story is about Google’s recent decision to take the gloves off and remove the censorship it previously imposed on its own Chinese search engine. The fear now is that the Chinese authorities will pull the plug:

Google, the world’s leading search engine, has thrown down the gauntlet to China by saying it is no longer willing to censor search results on its Chinese service.

The internet giant said the decision followed a cyber attack it believes was aimed at gathering information on Chinese human rights activists.

The move follows a clampdown on the internet in China over the last year, which has seen sites and social networking services hosted overseas blocked – including Twitter, Facebook and YouTube – and the closure of many sites at home. Chinese authorities ­criticised Google for supplying “vulgar” content in results.

Google acknowledged that the decision “may well mean” the closure of Google.cn and its offices in China.

That is an understatement, given that it had to agree to censor sensitive material – such as details of human rights groups and references to the pro-democracy protests in Tiananmen Square in 1989 – to launch Google.cn.

“We have decided we are no longer willing to continue censoring our results on Google.cn, and so over the next few weeks we will be discussing with the Chinese government the basis on which we could operate an unfiltered search engine within the law, if at all.”

My great-grandfather (my father’s father’s father) was a Chinese cloth merchant who converted to Christianity when he was on his travels round southern China in the late 1800s. So when my grandfather eventually settled with his family in Sheffield in the 1930s he was already a Christian, and had a bridge between his own culture and the largely Anglican culture into which he arrived. I often wonder who converted my great-grandfather, what kind of Christian community he encountered on his travels, and what the historical roots of their own Christian life were.

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