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Posts Tagged ‘Lascaux’

It’s not a great film. And, despite what the reviewers say, the 3D cinematography doesn’t work – the images lose their sharpness, the focus of the eyes never quite stabilises, and you constantly feel that you are in a cinema struggling to see the screen rather than in a French cave dancing with your paleolithic ancestors. (See my previous rant about 3D cinema and the decline of human civilisation.)

But Werner Herzog’s new documentary Cave of Forgotten Dreams is still a wonderful way of experiencing the Chauvet paintings ‘at first hand’. I think I’ve seen reproductions of them before (although perhaps I’m muddling them up with the images from Lascaux). They are astonishingly beautiful. The YouTube trailer above gives you some good glimpses of the main walls – and without the 3D!

What struck me in the film was their size. They are huge! The fact that there was no space to hide the film crew actually helped, because you kept being reminded of the scale of the paintings – the sound man bobbing in and out of the images with his boom like the stone-age hunters with their spears.

In one sense it’s breathtaking that the images are so old. That’s what makes them interesting – beyond their artistic merit alone. This is just one manifestation of ‘the cognitive leap’, when modern human beings ’emerged’ (whatever that means) onto the scene, and began to paint, decorate, adorn themselves, make musical instruments, honour their dead, and carve those well-known Venus figurines.

Yet in another sense, why should it astonish us? It seems to be the beginnings of what we would call civilisation, or modern human culture, but as far as we know these Cro-Magnons, these Early Modern Humans, were just like us – the same species, the same human nature. And human beings paint.

So the fact that you walk into a cave hidden for 30,000 years and discover a painting of a horse that looks just like one of Franz Marc’s (one of my favourite painters) shouldn’t surprise us. But it does. And they are astonishing. As is Franz Marc.

Children's interpretations of Franz Marc

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Despite enjoying Toy Story 3, I am still not convinced by 3D cinema. In fact the reason I managed to enjoy the film so much was because the 3D was far less intrusive than with most films.

David Mitchell has a rant here about 3D films. It’s well worth watching. There are some serious points amidst the humour, e.g. that the effect of 3D is to make you more conscious of your own relationship to the medium, and less able to lose yourself and escape into the world of the narrative.

He draws a parallel with painting and sculpture: when you go to see the Mona Lisa you don’t come away disappointed by the fact that Leonardo didn’t present you with a marble carving of the subject instead. You went to see a painting, and you were happy with that.

My main gripe is about picture quality – it simply isn’t as good with 3D films. And I think this is unavoidable, it’s not to do with the present state of technology. It’s because of the double image that you are seeing. You might say that our eyes see the natural world stereoscopically, which is true. But part of the wonder of painting, of 2D cinema, and of any flat visual surface, is that it gives you a clarity that is not possible in the natural world, which has the effect of highlighting the scene before you.

Painting and 2D cinema allow a depth, or rather a super-imposition of different depths, which creates a sort of hyper-realism. They allow you to focus on what you would not, naturally, be able to focus on. 3D, by making the experience more like the real world, takes away the magic and immediacy of the artistic surface, the same magic that they discovered 20,000 years ago in the caves of Lascaux.

I dread the day when all the films at the local Cineworld will be in 3D…

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