If Mary and Joseph were turned away this evening from the local bed and breakfast, where would they end up? Quite possibly in a bus stop. This is the suggestion made by ChurchAds.Net, which wants to re-tell the nativity story in a modern, secular context. The aim of the campaign is to reach out to the 88% of adults in Britain who hardly know the Christmas story, and to remind them that ‘Christmas starts with Christ’.
I only saw the poster for the first time yesterday evening, driving through West Hampstead. Here is it (the artist is Andrew Gadd):
I like the image. It’s unsettling and thought-provoking, but it doesn’t undermine the more traditional depictions of the nativity. The tenderness of the scene remains, but the vulnerability and precariousness of their existence comes to the fore. Some people are curious; some are more interested in looking out for the bus; one person kneels in worship. The plastic carrier bag is crucial – visually, and perhaps theologically.
This is what it means for God to come amongst us, for the Word to be made flesh. He takes on the ‘condition’ as well as the ‘nature’ of humanity. He doesn’t just live (in the abstract), he actually shares our life, however dark or dangerous that life may be.
Years ago I heard of a film about the birth of Jesus set in a housing estate in New York. The Angel Gabriel coming to this American teenager. The Saviour born into the rough-edged reality of twentieth-century urban life. I was never able to track the film down. Please leave a comment if you know what it was called.
I like the sentimentality of Christmas; the nostalgia and the traditions; even the contemporary bling. But it’s good to have a few images within our culture that help us to remember that it was real; and that it is still real.
[Olivia has since sent me a link to this wonderful article (with photos) about the history of crib-making, with some recent examples of cribs that have been set in the contemporary urban landscape.]
Bridges and Tangents 