Many discussions about freedom try to push you to an extreme position: you are either completely determined and in denial about this, or radically free to determine what you will do and who you will become. [WARNING: minor plot-spoilers coming up]
The film The Adjustment Bureau, based on a short story by Philip K. Dick, has a nice take on this. The visible, historical world – our ordinary reality – is watched over by members of the Adjustment Bureau. Their job is to make sure that the Plan unfolds as it should – a Plan for human civilisation as a whole, and for each individual. But instead of pulling every string, like Ed Harris sitting in his control room in The Truman Show, they let things take their own course, and step in every now and then to make minor ‘adjustments’, carefully planned interventions that nudge our lives in one direction or another, without causing too many ‘ripples’ that might cause us to think we are in hands of a higher power. We experience these adjustments as accidents or chance events, but they are the workings of an invisible fate giving shape to our lives. The plot turns on a wonderful scene when one member of the Bureau misses his cue, and someone doesn’t spill a cup of coffee as they are meant to, so that the Plan unravels.
The film illustrates a simple truth: that the whole course of our lives depends on chance events and unplanned encounters. It takes up these themes from those wonderful films Wings of Desire and Run Lola Run. We think we are, to a certain extent, in control of our lives; yet we are not in control of the insignificant happenings that have most significance for our lives. Is it Fate? Providence? Chance?
It’s a light-hearted thriller-cum-comedy-romance, beautifully executed, with one or two weighty ideas from Dick. It has the feel of a Magritte painting come to life. If you like sci-fi, Matt Damon, Emily Blunt, or casual musings about human freedom, you’ll enjoy it. And if you like all four, as I do, you’ll have a ball.