This is so funny I had to post it:
On Good Friday 1930, the journalists on BBC radio news did not know what to put in the evening bulletin. The country was on holiday. The world economy appeared to be recovering after the Wall Street Crash of 1929. Few guessed that the revival was a suckers’ rally that heralded a global depression. Europe was quiet — Adolf Hitler was still an obscure opposition politician — and although Britain ruled a great empire, nothing much seemed to be happening there either.
Stumped by a slow news day, the BBC delivered the most honest broadcast in the history of journalism. “Ladies and gentlemen, there is no news tonight,” proclaimed the announcer. “So here is some music.”
There is a serious point to Nick Cohen’s article “Curmudgeons of the world unite“. He is writing about how news stories today have to be reported with the same intensity – whatever the subject. The ‘frame’, quite literally, is always the same (my image not his): the border of the newspaper, the edge of the TV set, the casing of the computer screen. So that every piece is flattened or heightened to the same level, given the same spotlight. [Too many metaphors…]
Deceit in the modern Radio 4 — and in the rest of the media — does not always lie in journalists’ biases. The pretence that there is always news worth reporting can be equally deceptive. Whatever has happened — or rather, whatever has not happened — the Today programme must always run for three hours, the news pages of the press must always be filled and, like Old Man River, the rolling news channels must keep on rolling along.
The result is media without discrimination in which a parochial argument about the allocation of resources in the NHS on one day is put on a par with the deaths of hundreds of thousands in Haiti the next.
Broadcasters deliver every lead story at the same tempo and pitch. However bold they are, you will never hear John Humphrys or Jeremy Paxman admit, “We’re leading with this piece because we haven’t got anything better to air. On normal days, we would never have bothered you with such a trivial item.
He goes on to sing the praises of Radio 5 Live for being the only station that is ‘suicidally candid’ enough to tell you that the matter in hand (usually a football game) is abysmally boring and not actually worth listening to. He encourages even those who hate football to tune in so that they can savour this experience of journalism in its purest form.