Andrew Marr examines three recent sci-fi films (Avatar, District 9, and Surrogates) and draws some conclusions about how people understand themselves in the West.He detects a lack of confidence in the whole human project emerging from these films. It’s not just that we face particular problems and are not sure how to overcome them. It’s that we are wondering whether there is any point at all in trying to overcome them. So it’s not the present situation of humankind that is in question, but the very meaning and purpose of being human. “Where there is no vision, the people perish…”
[Plot spoiler coming] It’s interesting that the only way of ‘redemption’ for human beings at the end of Avatar is to renounce being human.
See if you agree with Marr’s assessment:
They are all anxiety films, even hysteria films, but they have a special edge. The bad guys seem to be human beings in general, and our corporate-capitalist system in particular. Avatar self-doubt pits a humanity that has ravaged their home planet against the indigenous blue pixies of the lush Pandora. There are “good humans” of course, a minority of geeky biologists and a disabled man, but we are left in no doubt about the insanely greedy and aggressive tendencies of most of the bipedal inhabitants of grey and battered Earth…
Though they are dark films, they are in a different category from the familiar cheery genre of apocalypse- soon movies, such as the recent (and hilariously awful) 2012. Nor are they like the earlier aliens-are-coming films, from Independence Day to Mars Attacks, in which it’s up to humanity to repel boarders. Indeed, that’s the point; recent film-making has switched the good guys and bad guys around. These films say that humans are greedy, stupid, rapacious and often lazy. They say we are infinitely suggestible, prone to being moulded by corporate interests, and at risk of being captured by our own technology.
They are, in short, films with a strong dose of human self-hatred running through them. This is anger and satire, directed against the main forward thrust of Western life, as mass entertainment…
But I do think the historians of a century ahead, writing about our times, will use the films in our cinemas right now to discuss the decline of the West. They will talk about a radical lack of self-confidence in the project of enlightenment-science-plus-corporate- capitalism, a spectacular loss of nerve. They will observe how fear about the coming “singularity” in computing power, remorse about wars in Asia and environmentalist horror about rainforest destruction and species extinction combined to shake the West’s belief in its destiny. And then they will contrast all that with the brash confidence, even triumphalism, of the Chinese film industry as a set piece contrast in how art imitates life.