Dante and Sartre made guest appearances on Celebrity Big Brother at the beginning of the week. The layout and decor of the new Big Brother house are inspired, say the producers, by the writings of these luminaries:
Executive Producer Shirley Jones today revealed that the whole series has been inspired by Dante’s Inferno including the decor of the house itself.
She said: “The famous line from Dante’s Inferno is ‘Abandon hope all ye who enter here’, which has inspired much of what we have done to the house, particularly the entrance which is dark and cavernous with flaming walls. When the celebrities arrive in the house on Sunday night they will definitely wonder what is in store for them, it looks incredibly different from previous years”.
In the living area the Dante’s Inferno theme continues with gilded panels, black walls and furniture in rich reds and dark wood. There are some luxurious touches too such as faux fur pelts draped over the sofas, cushions emblazoned with diamante skulls and ornate wall sconces illuminating macabre sculptures.
Jones continued “As well as Dante we have been hugely influenced by Sartre’s line ‘Hell is other people’, and the house reflects this. Whilst the flames and dark colours might look a bit hellish to some, sometimes your actual hell is the people you’re with so we have removed some of the doors to make everything more open plan, there are very few areas to go to if someone needs to grab five minutes of peace and quiet.”
Just to set the record straight: Sartre didn’t put forward the idea that ‘hell is others’ as a philosophical thesis – he put these words into the mouth of one of his characters in the play Huis Clos. In isolation, this line, which has haunted Sartre, gives the impression that he hated other people and believed that human beings would be happiest cut off from all company. This is nonsense. In the drama of the play, and in the context of his whole philosophy, Sartre is saying something quite different.
In his view, a recurring temptation we face as human beings in society is the desire to live solely in order to please others, to live up to the expectations that others impose on us – expectations that we willingly accept and internalise. So our whole life can become a charade, wearing a mask, doing a dance before the gaze of others. It’s an analysis of the psychology of fame. The more we succeed in living up to their expectations, the happier we seem to be – but it is a trap, and we end up losing our freedom, we become defined by the demands that other people have imposed on us. This is living in ‘bad faith’; there is a lack of authenticity, a lack of honesty. Another more traditional word to describe this human characteristic would be ‘vanity’. So Sartre is not quite as radical or novel as he might appear.Sartre doesn’t think that the answer is to escape from all human relationships and responsibilities, or to do what we please without any regard for the opinion of others. This is just pure selfishness – which Sartre never advocated. He thinks we should be more authentic; we should take responsibility for our actions and not pretend that we are completely defined by the external pressures that are put upon us; we should develop relationships, as it were, out of love and freedom and not because of a dysfunctional need to take on a certain appearance in the eyes of others.
I’m not defending his whole outlook here. But there is some truth in this suggestion that we can get trapped in the image of ourselves that we see reflected back to us from others.
The opposite of vanity, one could say, would be a kind of self-possession, an ease with others, a freedom to love without worrying about how that love was being perceived.