The art of drawing lies more in being able to see the world as it is than in having any special technical ability with the pen or pencil. This was the idea put forward at an exhibition I went to last week of the New English Art Club.
It runs like the Royal Academy Summer Exhibition: Any artist can submit their own work. They pay a small fee, face a panel of judges, and see if they are lucky. A friend from my home parish was delighted to have one of her collograph prints accepted (see it here) – and so I got an invitation to the private view.
The New English Art Club is committed to figurative art. There is a range of media and styles, and not every work contains the human figure; but they are all realist works that have some recognisable subject.
The reflection on ‘seeing’ came as one of the members did a plug for the classes put on by the New English Drawing School. What he said applies to writing and thinking as much as drawing. I’m paraphrasing from memory:
We teach people to draw what they see, and this involves an education in seeing. We teach people to look, to concentrate. People have to be trained to pay attention and to notice things. When children come to the classes I don’t sit them down on the floor with a sheet of paper and a big stick of charcoal and tell them to express themselves. They are already very good at expressing themselves! Instead, I teach them to observe what is there, to make distinctions within their field of vision, and then to put this down on paper. The rest will follow.
The exhibition is well worth a visit – it runs until 7th December. It’s at the Mall Galleries in London, on the Mall, at the end near to Trafalgar Square.