Horcruxes, technology addiction, and the search for personal wholeness. See the post by Br Conor at Jericho Tree.
Archive for the ‘Media’ Category
The online Guardian site has a Guardian Witness project: “Share your view of the world: your chance to have videos, photos and stories featured on the Guardian”. It’s a kind of democratic journalism – a simple and uncensored way of uploading your own perspectives on a given topic, onto an elegant Pinterest-style site.
One of the current topics is “Your Church Congregation”. There are 293 contributions as I write. You have until Friday 28 June to upload images from your own church. Why not add your own? It’s a great way to share the life of your own community; and at the very least it will help Guardian readers to appreciate (in case they don’t already) how alive our Christian churches are.
This is the spiel:
Who are the Christians in Britain today? On any given Sunday, there will be at least 2.5m people in churches of various sorts, but each congregation tends to be an island with little contact with others. So, we want you to share your photographs and videos of your own congregations, everywhere from converted units on an industrial estate to magnificent medieval cathedrals.
A couple of years ago I saw a production of Soldier to Saint by RISE Theatre at a youth retreat. It is one of the most powerful Christian dramas I have ever seen, bringing to life – in a contemporary setting – the story of St Alban, our first martyr.
I was delighted to hear that the play is being revived again this summer, and on tour round the UK from 28th June – 12th July 2013. The reason I’m blogging now is not to invite you to the shows themselves (I’ll post the venues and dates later on), but to see if your parish might be interested in hosting one of the performances. It’s a wonderful opportunity for inspiring parishioners in their faith, and for evangelisation and outreach. All the details are below, with the contact email at the bottom.
After a successful London run in 2011, RISE Theatre is reviving its ground-breaking one-act play Soldier to Saint, bringing this challenging & thought-provoking drama to the very heart of your community!
It is the year 2020 and London is in crisis. As Christians are forced into hiding and rioting hits the streets, a soldier – John Alban, strikes an unlikely friendship with a fugitive priest, a friendship that could cost him his life.
For such a time as this, John Alban must now make a choice between his old way of life or following a new path – a path that will change his life forever.
Performed by RISE Theatre, Soldier to Saint brings to life the inspirational true story of Saint Alban, England’s first Christian martyr – a compelling tale of courage, friendship and sacrifice.
RISE Theatre would like to bring this inspirational play straight to your doorstep, offering your community a unique way to explore the journey to faith.
BOOK NOW: Limited Tour Dates available from 28th June – 12th July 2013.
If you would like to host Soldier to Saint at your church, or for more information on cost, please contact Stephen at firstname.lastname@example.org
See there website here, which has a short video on the homepage, and more details about the tour.
I learnt a new word for the new year: Disintermediation. It means cutting out the middle man through the use of new digital technology and business models.
Here is John Naughton’s explanation:
But disintermediation is now the mot de jour. It means wiping out the intermediary and that is what the internet does. Remember travel agents? Record shops? Bookshops? Book publishers?
For a long time, publishers maintained that, while the internet was certainly destroying the business models of other industries, book publishing was such a special business that it wouldn’t happen to them. After all, in the end, every author needs a publisher – doesn’t s/he? Only sad people go in for self-publication.
Er, not necessarily. The arrival and widespread acceptance of ebooks, together with on-demand printing and Amazon’s ebook publishing engine have transformed self-publishing from a dream to a reality. If you’ve written something and it’s in Microsoft Word format, then upload it to Amazon’s publishing engine, upload an image for the cover, choose a price and in about four hours it’ll be for sale on the web.
So it’s an important idea, which we have all bought into, even if we haven’t reflected on it very much.
But surely, on a dictionary aside, there is a better word for this? You can see the root: they have taken the word ‘intermediary’ and ‘dissed’ it to create the negative. But the word ‘immediate’ already means ‘with nothing in between, with nothing in the middle’. So I propose the word immediation instead. Let’s see if this takes off and gets me into the Best of 2013 lists at the end of the year.
Posted in Media, Politics, tagged freedom, freedom of the press, human rights, Inter Mirifica, internet, journalistic ethics, Leveson Inquiry, Leveson Report, media, media ethics, newspapers, Politics, press, press freedom, Vatican II on December 1, 2012 | 3 Comments »
With the Leveson Report just out, and the Year of Faith ongoing, I went back to the document Inter Mirifica, the Decree on the Media of Social Communications from the Second Vatican Council, promulgated on 4 December 1963.
It has to be said that this is not the most celebrated of the documents from Vatican II. Many commentators think that it was not creative enough, not sensitive to the moment, not aware of the need for the Church to open out to the world. But it’s interesting to read – fifty years later – the two main paragraphs that concern what we would now call ‘media ethics’ (see paragraphs 5 and 12 copied below).
The primary concern is to protect the freedom of the press, and to highlight the importance of a free media for the common good. I don’t know the background to the document well, but one of the defining features of the political landscape will have been the Cold War, and the multiple threats to freedom that were emerging in Eastern Bloc countries. The main worry for the Council fathers was not press intrusion but state intrusion. So they assert the ‘right to information’.
Nevertheless, this right is not absolute. It requires truth, justice, charity; respect for the laws of morality and the rights and dignity of individuals; and the manner of communication should be ‘proper and decent’. Public authority should protect this freedom of information, but it is also obliged ‘to exercise a fitting and careful watch lest grave damage befall public morals and the welfare of society through the base use of these media’. The language is almost archaic; the meaning is clear.
So you can’t move from Inter Mirifica to a concrete conclusion about which recommendations in the Leveson report to implement, but there are some helpful principles here which seem as relevant as they were fifty years ago.
Here are the relevant paragraphs:
5. It is, however, especially necessary that all parties concerned should adopt for themselves a proper moral outlook on the use of these media, especially with respect to certain questions that have been vigorously aired in our day.
The first question has to do with “information,” as it is called, or the search for and reporting of the news. Now clearly this has become most useful and very often necessary for the progress of contemporary society and for achieving closer links among men. The prompt publication of affairs and events provides every individual with a fuller, continuing acquaintance with them, and thus all can contribute more effectively to the common good and more readily promote and advance the welfare of the entire civil society. Therefore, in society men have a right to information, in accord with the circumstances in each case, about matters concerning individuals or the community. The proper exercise of this right demands, however, that the news itself that is communicated should always be true and complete, within the bounds of justice and charity. In addition, the manner in which the news is communicated should be proper and decent. This means that in both the search for news and in reporting it, there must be full respect for the laws of morality and for the legitimate rights and dignity of the individual. For not all knowledge is helpful, but “it is charity that edifies.”
12. The public authority, in these matters, is bound by special responsibilities in view of the common good, to which these media are ordered. The same authority has, in virtue of its office, the duty of protecting and safeguarding true and just freedom of information, a freedom that is totally necessary for the welfare of contemporary society, especially when it is a question of freedom of the press. It ought also to encourage spiritual values, culture and the fine arts and guarantee the rights of those who wish to use the media. Moreover, public authority has the duty of helping those projects which, though they are certainly most beneficial for young people, cannot otherwise be undertaken.
Lastly, the same public authority, which legitimately concerns itself with the health of the citizenry, is obliged, through the promulgation and careful enforcement of laws, to exercise a fitting and careful watch lest grave damage befall public morals and the welfare of society through the base use of these media. Such vigilance in no wise restricts the freedom of individuals or groups, especially where there is a lack of adequate precaution on the part of those who are professionally engaged in using these media.
Posted in Media, Psychology, tagged creativity, digital media, distractions, email, genius, inbox, management, media, production, productivity, professionalism, space, success, texting, work, workplace on November 26, 2012 | 4 Comments »
Most of us deal with the little things first. We check texts and emails; we try to respond to the urgent requests others send us; we set about tidying up, clearing the decks, in the vain hope of creating some physical, mental and digital space in which we can one day address the really important and creative projects that matter to us.
Mark McGuinness explains why this doesn’t work.
The trouble with this approach is that you end up spending the best part of the day on other people’s priorities, running their errands, and giving them what they need. By the time you finally settle down to your own work, it could be mid-afternoon, when your energy has dipped and it’s hard to focus on anything properly. “Oh well, maybe tomorrow will be better,” you tell yourself.
But when tomorrow comes round there’s another pile of emails, phone messages, and to-do list items. If you carry on like this you will spend most of your time on reactive work, responding to incoming demands and answering questions framed by other people. It’s a never-ending hamster wheel. And it will never lead to remarkable work, in Seth Godin‘s sense, “worthy of being remarked on.” We don’t find it remarkable when our expectations are met – only when they are exceeded, or when we are surprised by something completely unexpected.
So what does McGuinness do instead?
The single most important change I’ve made in my own working habits has been to start doing things the other way round – i.e. begin the day with creative work on my own top priorities, with the phone and email switched off. And I never schedule meetings in the morning, if there’s any way of avoiding it. This means that whatever else happens, I get my most important work done – and looking back, all of my biggest successes have been the result of making this simple change.
It wasn’t easy, and still isn’t, particularly when I get phone messages beginning “I sent you an email two hours ago…!”
By definition, taking this approach goes against the grain of others’ expectations, and the pressures they put on you. It can take an act of willpower to switch off the world, even for an hour, during the working day. For some strange reason, it feels “unprofessional” to be knuckling down to work in this way.
The thing is, if you want to create something truly remarkable, it won’t be built in a day. A great novel, a stunning design, a game-changing software application, a revolutionary company – this kind of thing takes time, thought, craft, and persistence. And on any given day, it will never appear as “urgent” as those four emails (in the last half-hour) from Client X or Colleague Y, asking for things you’ve already given them or which they probably don’t really need.
So if you’re going to prioritize this kind of work – your real work – you may have to go through a wall of anxiety in order to get it done. And you’ll probably have to put up with complaints and reproaches from people who have no idea what you’re trying to achieve, and can’t understand what could be more important than their needs.
Yes, it feels uncomfortable, and sometimes people get upset, but it’s much better to disappoint a few people over small things, than to sacrifice the big things for an empty inbox. Otherwise you’re sacrificing real productivity for the illusion of professionalism.
McGuinness finishes with some practical tips:
1. Creative work first, reactive work second.
Either start the day on your creative work, or make sure you block out time for it later in the day – preferably at a time when you typically feel energized and productive.
2. Tune out distractions.
You know the drill – email off, phone off, work from home if you can, stick your headphones on if you can’t.
3. Make exceptions for VIPs.
Don’t be reckless. If you’re working with a client to a deadline, or your boss needs something urgently, treat them like VIPs and give them special access – e.g. leave the phone on and answer if they ring (everyone else gets the voicemail).
4. Be really efficient at reactive work.
You can’t ignore everybody all the time. The better your productivity systems, the more promptly you’ll be able to respond to their requests – and the more time you’ll have free for your own work.
I don’t do this, but I think it’s worth trying.
Posted in Culture/Arts, Media, tagged addiction, child development, children, children and TV, education, how much TV should you watch, media, parenting, psychology, television, TV on October 12, 2012 | 6 Comments »
TV time should be limited for children, and under-threes should be kept away from television altogether – writes Sarah Boseley.
These are the conclusions of a recent report.
A review of the evidence in the Archives Of Disease in Childhood says children’s obsession with TV, computers and screen games is causing developmental damage as well as long-term physical harm. Doctors at the Royal College of Paediatrics and Child Health, which co-owns the journal with the British Medical Journal group, say they are concerned. Guidelines in the US, Canada and Australia already urge limits on children’s screen time, but there are none yet in Britain.
The review was written by psychologist Dr Aric Sigman, author of a book on the subject, following a speech he gave to the RCPCH’s annual conference. On average, he says, a British teenager spends six hours a day looking at screens at home – not including any time at school. In North America, it is nearer eight hours. But, says Sigman, negative effects on health kick in after about two hours of sitting still, with increased long-term risks of obesity and heart problems.
The critical time for brain growth is the first three years of life, he says. That is when babies and small children need to interact with their parents, eye to eye, and not with a screen.
Prof Mitch Blair, officer for health promotion at the college, said: “Whether it’s mobile phones, games consoles, TVs or laptops, advances in technology mean children are exposed to screens for longer amounts of time than ever before. We are becoming increasingly concerned, as are paediatricians in several other countries, as to how this affects the rapidly developing brain in children and young people.”
The US department of health and human services now specifically cites the reduction of screen time as a health priority, aiming “to increase the proportion of children aged 0 to two years who view no television or videos on an average weekday” and increase the proportion of older children up to 18 who have no more than two hours’ screen time a day.
The American Academy of Pediatrics has also issued guidance, saying “media – both foreground and background – have potentially negative effects and no known positive effects for children younger than 2 years”. The Canadian Paediatric Society says no child should be allowed to have a television, computer or video game equipment in his or her bedroom.
Sigman goes further, suggesting no screen time for the under-threes, rising gradually to a maximum of two hours for the over-16s. Parents should “encourage” no screens in the bedroom, he says, and be aware that their own viewing habits will influence their children.
But what can you do?
The RCPH’s Professor Blair said there were some simple steps parents could take, “such as limiting toddler exposure as much as possible, keeping TVs and computers out of children’s bedrooms, restricting prolonged periods of screen time (we would recommend less than two hours a day) and choosing programmes that have an educational element.”
But Justine Roberts, co-founder of Mumsnet, said it was hard for parents to compete with technology. “It would be great if someone could invent a lock that could automatically ensure a daily shut down of all the different devices in and around the home after a designated period. Until such a thing is invented, it’s going to be an ongoing battle to keep on top of everything,” she said.
Any thoughts from parents? Is the no TV ideal possible? Is it realistic? Is it even desirable?
Posted in Books, Media, Religion, tagged Bible, bible commentaries, bible software, bible study, bible translations, Catholic software, holy scripture, internet, Logos, Logos Bible Software, preaching, scripture, scripture study, sermons, study, technology on October 7, 2012 | 3 Comments »
I’ve had great fun experimenting with “Logos 4″, the latest edition of the Logos Bible Software. It does everything you’d expect, and much more.
Just take my last search as an example. I wanted to look up Hebrews Chapter 12, so I just typed “Heb 12″ into the search box on the home page. Immediately, as a default setting, it opens up a set of windows displaying a vast array of tools and information to help you make sense of the scriptural passage: the English text in five different translations (there are many more to choose from), the Greek text together with all its variants (with an option of transliteration if your Greek is getting rusty), links from every Greek and English word to a set of dictionaries and concordances, numerous cross-references, biblical commentaries on the passage, handouts to photocopy for bible study groups, illustrations, and even a Wordle-style word-cloud to highlight which themes are coming up most consistently in these chosen lines. This is all before you have customised the page or used the drop down menus to link the scripture with your own preferred theological resources.
The danger, of course, is that you spend all your time racing down every exegetical rabbit hole you discover instead of reflecting on the Word of God itself, just as you can get lost in the footnotes and cross-referencing system of any printed bible. But this is a risk with any tool: that we become fascinated by what it is in itself rather than what purpose it is built to serve.
Here is the demo:
There is a profusion of bible software available today – some of it online, some of it downloadable. I can’t give an honest comparison of Logos with all the other packages, simply because I haven’t used many of them. My ordinary practice of bible study and sermon preparation still involves sitting down with pen and paper, an interlinear bible, and a pile of printed dictionaries and commentaries. It’s very old-school and pre-internet. But from my limited time spent with Logos I can say that it is attractively designed, easy to use, and delivers a huge amount in terms of everyday bible study and exegesis.
The other plus is that there is now a set of Catholic texts to supplement the largely Protestant cross-referencing system that Logos was designed for. So you can call up Catholic bible commentaries and Catholic translations (e.g. the Catholic edition of the RSV) to link with the scriptural texts, and you can also explore these texts in their own right using the same software. So you have a library of Catholic theology and some very sophisticated tools to explore it with.
The best example here is the Catechism. Open this and you have the text itself. Click on a scripture reference in the footnotes, and it opens a set of windows at the side with all the biblical tools to study that passage in context. Click on another quotation in the footnote, and it gives you the whole passage (and usually the whole sermon or book) from which the quotation is taken. It links to patristic sources, magisterial documents, writings of the saints, etc. – all there in front of you without having to go to the bookshelf or search the net. Just as one example: I was reading paragraph 1371 of the Catechism about how one aspect of the Eucharistic sacrifice is that it is offered for the souls of the faithful departed, and it quotes St Monica’s request to her son St Augustine that he remember her at the Lord’s altar after her death. And with a single click you open up in the box below Book 9 Chapter 11 of Augustine’s confessions with the whole quotation in context.
I am sure there is a lot more here that I haven’t discovered, but this gives you a feel for what the software can do. The downside is the price. I’m lucky enough to be using a review copy, but the basic Catholic software package is $249.95 (see exactly what’s included here) – which must be about £150 at the moment. It’s a lot for an individual user. But if you think of what it costs to buy a decent set of biblical texts and commentaries over a number of years, then it sounds a lot less. You are buying a library rather than just a piece of software. (The other plus is that you can use it on your iPad or mobile. This doesn’t help me much because – despite my high-tech credentials – I am still getting used to texting…)
Posted in Media, Philosophy, Psychology, Science/Technology, tagged augmented reality, Aurasma, culture, Cuneiform script, enhanced reality, Google Glass, language, Layar, layered reality, Sumerian script, virtual reality, Web 3.0, writing on October 2, 2012 | 1 Comment »
In my recent post about Web 3.0 I used the phrase layered reality to describe the way that information from the virtual world is becoming embedded in our experience of the real world in real-time. Instead of stopping the car, looking at a physical map, memorising the directions, and then starting off again; now you see a virtual map on your sat nav that matches and enhances the physical reality in front of you. It adds another layer. The next step – part of Web 3.0 – is that the technology that delivers the layer is wearable and invisible, so that the layering is seamless. We have had mobile conversations via earpieces for years now.
The best example of this is the Google Glass. Messages and information that up to now would appear on your computer screen or mobile phone now appear on the lens of your glasses as part of your visual panorama. Fighter pilots have had information appearing on their visors for a long time, so that they can read instruments without having to take their eyes off the scene ahead. The Google Glass is just the domestic equivalent of this.
Take a look at this wonderful video demo:
Claire Beale explains more about the implications for mobile technology:
Ever since Tom Cruise showed us in Minority Report a future where reality is a multi-layered experience, gadget geeks have been waiting for technology to deliver on Hollywood’s promise.
Now virtual reality is about to become an actual reality for anyone with the right sort of mobile phone after Telefonica, the parent company of O2, signed a revolutionary deal last week with the tech company Aurasma.
Aurasma has developed a virtual reality platform that recognises images and objects in the real world and responds by layering new information on top. So if Aurasma’s technology is embedded into your mobile phone, when you point your phone at an image it can recognise, it will automatically unlock relevant interactive digital content.
For brands, this type of kit has some pretty significant implications. It means that commercial messages can now live in the ether around us, waiting to be activated by our mobiles. If your phone registers a recognised image such as a building, a poster or a promotional sticker in a store, say, it will play out videos, 3D animations or money-off coupons to entice you to buy.
See this video demo from Layar:
You don’t just see, you see as others see, you understand what others understand, it’s almost like sharing in a universal consciousness. That’s part of the wonder of this new augmented reality, and also the danger; because it all depends on trusting the source, the provider. Who controls the layers?
But the idea of layering reality is not really new, in fact ‘layered reality’ could almost be a definition of human culture. Culture is the fact that we don’t just experience reality neat, we experience it filtered through the accumulated interpretations of previous generations. The primordial example of culture as a layering of reality is language: we speak about what we see, and cover every experience with a layer of language – before, during and after the experience itself.
And writing is literally putting a layer of human interpretation on top of the physical reality before you: carving some cuneiform script into a Sumerian brick; painting a Chinese character onto a piece of parchment; printing the newspaper in the early hours of the morning. Endless layers that stretch back almost to the beginning of human consciousness.
Posted in Media, Religion, tagged blogging, blogs, bridges and tangents, Christian New Media Awards, Christian New Media Conference, Christianity, Facebook, God, internet, New Media, theology, Twitter on September 30, 2012 | 7 Comments »
Bridges and Tangents is on the shortlist for the ‘Most Inspiring Leadership Blog’ (!!) at the Christian New Media Awards.
Why not take a look at the other nominees in the various categories below. I know that many of the readers of this blog are Catholic, so it might interest people to see the fascinating things that go on in the largely non-Catholic (I think) new media world represented by these awards.
Best Christian Blog
Best Christian Blog by someone under 25
Most Inspiring Leadership Blog
Best Newcomer Blog
Micro-Blogger of the Year
Best Christian Organisation Website
I hope to go to the Christian New Media Conference which takes place the day after the awards on 20 Oct 2012, and try to do some serious (and fun) thinking about faith and the new media. It looks as though it will be a good day. Details copied here:
The Christian New Media Conference 2012
Date: 20th October 2012
Time: 9.15am Registration, 10am Start and 5.20pm Finish
Venue: King’s College London, Waterloo Campus, Franklin-Wilkins Building, Stamford Street, London SE1 8WA Directions
Tickets: £30 Book Now!
If you want to make a greater impact in the digital world, to get to grips with new media technologies, or simply tweet, pin and post better, then the Christian New Media Conference 2012 is the place to be. It will inspire you, equip you and connect you with like-minded people – whatever your level of experience.
Whether you come as an individual, a church, charity or business, you’ll be spoilt for choice with 20 breakout sessions available.
The Theme for 2012
The digital revolution has transformed the art of story-telling, bringing it once more to the fore. If you think about it, much of what we are engaged with online is story-telling. We might be telling our story, our church or organisation’s story – but ultimately, as Christians, we are telling God’s story. This will be the theme of the main sessions this year and will have a dedicated seminar stream.
This year’s Theology stream will look at the concept of ‘Depixelating God’ – exploring how we as Christians can help make the image of God clearer to people in the online space.
Friday, 21st September, is PARK(ing) DAY. You put some coins in a parking meter of your choice, take possession of the carefully defined space in front of you, and (as long as it is without a car and for the general well-being of the passing public) do something or create something wild or beautiful or calming or bewitching or anything at all that falls under the category of ‘San Francisco-y’.
This is the photo that started it all off, when for two hours someone put a lawn, a tree and a public bench in a San Francisco parking bay – all completely legally.
Here is the ABOUT section from their website.
PARK(ing) Day is an annual open-source global event where citizens, artists and activists collaborate to temporarily transform metered parking spaces into “PARK(ing)” spaces: temporary public places. The project began in 2005 when Rebar, a San Francisco art and design studio, converted a single metered parking space into a temporary public park in downtown San Francisco. Since 2005, PARK(ing) Day has evolved into a global movement, with organizations and individuals (operating independently of Rebar but following an established set of guidelines) creating new forms of temporary public space in urban contexts around the world.
The mission of PARK(ing) Day is to call attention to the need for more urban open space, to generate critical debate around how public space is created and allocated, and to improve the quality of urban human habitat … at least until the meter runs out!
And here is the history:
Rebar’s original PARK(ing) project in 2005 transformed a single metered parking space into a temporary public park in an area of San Francisco that the city had designated as lacking public open space. The great majority of San Francisco’s downtown outdoor space is dedicated to movement and storage of private vehicles, while only a fraction of that space is allocated to serve a broader range of public needs. Paying the meter of a parking space enables one to lease precious urban real estate on a short-term basis. The PARK(ing) project was created to explore the the range of possible activities for this short-term lease, and to provoke a critical examination of the values that generate the form of urban public space.
Our original PARK stood in place for two hours – the term of the lease offered on the face of the parking meter. When the meter expired, we rolled up the sod, packed away the bench and the tree, and gave the block a good sweep, and left. A few weeks later, as a single iconic photo of the intervention (left) traveled across the web, Rebar began receiving requests to create the PARK(ing) project in other cities. Rather than replicate the same installation, we decided to promote the project as an “open-source” project, and created a how-to manual to empower people to create their own parks without the active participation of Rebar. And thus “PARK(ing) Day” was born.
PARK(ing) Day has since been adapted and remixed to address a variety of social issues in diverse urban contexts around the world, and the project continues to expand to include interventions and experiments well beyond the basic “tree-bench-sod” park typology first modeled by Rebar. In recent years, participants have built free health clinics, planted temporary urban farms, produced ecology demonstrations, held political seminars, built art installations, opened free bike repair shops and even held a wedding ceremony! All this in the context of this most modest urban territory – the metered parking space.
And this is the true power of the open-source model: organizers identify specific community needs and values and use the event to draw attention to issues that are important to their local public—everything from experimentation and play to acts of generosity and kindness, to political issues such as water rights, labor equity, health care and marriage equality. All of these interventions, irrespective of where they fall on the political spectrum, support the original vision of PARK(ing) Day: to challenge existing notions of public urban space and empower people to help redefine space to suit specific community needs.
In addition to being quite a bit of fun, PARK(ing) Day has effectively re-valued the metered parking space as an important part of the commons – a site for generosity, cultural expression, socializing and play. And although the project is temporary, we hope PARK(ing) Day inspires you to participate in the civic processes that permanently alter the urban landscape.
From the map, the only official UK venues seem to be Falmouth and Leeds. But I prefer the idea that it is uncoordinated. I think I’m free on Friday 21st – I’ll have to see what springs to mind, if I can find a space on the King’s Road (and if I can afford one!). I’m thinking bridges, tangents…But where can I find some grass?
(But what are the laws in the UK? When you pay for your space, are you obliged to put a car there?! Are our legislators so generous and open-minded as the Californians? You can see I am worried about whether I will get into trouble!)
As you know, I’m a ‘late adopter’ when it comes to new technology. I hear about things late; I wait around cautiously to see where something is going; I tell myself how happy I have been for so many years of adult life without this dazzling piece of equipment; I hang on until the price drops a bit further; then – sometimes – I take the plunge. So it was with the Kindle, which I bought about six months ago.
What’s remarkable is how quickly it has become a normal, boring and almost indispensable part of daily life. In many ways it’s incredibly retro, even more so after the Google Nexus 7 comes out – dropping the price and raising the stakes for a decent 7 inch tablet. And I betray my own retro-ness in remembering the tipping point that got me pressing the BUY button: it was when I became convinced that the electronic ink pages really were as easy to read as a paper book.
Why do I like it? More to the point, why is it so normal that I have already forgotten it was ever a buying issue? Three main reasons.
(1) Legibility: I was worried it would strain the eyes, and it doesn’t. I can sit in bed and read the Kindle for 2 hours not noticing that I am reading an electronic screen rather than a book (not that I read in bed that long very often…). In fact it is even easier because you can change the font size.
(2) Portability: It goes in the inside pocket of a light jacket, so instead of taking a shoulder bag or a man bag out with me for the sake of carrying a book, I just take the Kindle. So it’s easier than carrying just one book, let alone a whole library of books and journals.
(3) Versatility: I mean the range of stuff that I am reading, and that slips into my pocket so easily. I knew I would use the Divine Office (from Universalis), and the ubiquitous e-Books – a mixture of freebies and paid for. But I’m also downloading journals and websites. And one of the most helpful features is the way you can email documents to your Kindle that then appear as short texts. There are documents, talks, websites, sermons, etc, that I keep thinking I’ll read one day, but never want to read on the computer screen. So I email them to the Kindle, and read them on the bus or tube. I’m actually catching up on piles of interesting reading without having to make an effort.
I’m sorry this sounds like an advert. I’m just delighted when something does what it says, and does what you want it to do, and also does much more.
My fear now is that my present version of the Kindle will be replaced by a higher spec, and the very reason I like it – it’s simplicity – will disappear. I know they have the touch screen versions, which I dislike, because I’d rather a simple click to turn the page than having to tap the screen; that’s why I bought the Kindle rather than the Kobo [correction: apparently there are clickable Kobos as well!]. My fear is that the ‘Retro’ Kindle (my version), like the magnificent, groundbreaking and never bettered Palm, will be overtaken by smart technology. Strange how technology can regress as well as go forward, or at least lose the simplicity and sophistication of its primary purpose in the search for secondary thrills. I said the Kindle was dazzling, but it’s actually the dullness that I like…
We had a visit to Stonor Park recently. This is the house near Henley where St Edmund Campion was finally caught. It’s full of intricately constructed priest holes and escape routes. It’s also set in a valley of exquisite beauty in the Oxfordshire countryside, and worth a visit even if you are not into the martyrs or recusant history. See their website here for information about visiting.
The highlight for me, with all my interest in media and communication, was to visit the room on the second floor above the front door. This is where the famous printing press stood, on which Campion’s Decem Rationes was printed. It was wonderful to imagine them hidden up there, working without enough type, wondering whether they would even manage to finish and distribute the work. What faith it must have taken, and courage.
Forgive me copying some words from a previous post about Campion and the text, just in case you don’t know the story:
In the Spring of 1581, Edmund Campion had been in England as a Jesuit missionary for just over a year. Fifteen years earlier he had preached before Queen Elizabeth in Oxford, and now he was in Lancashire on the run from government spies. Between illicit sermons and undercover Masses Campion was writing a Latin treatise called Decem Rationes, Ten Reasons, in which he set forth the Catholic faith and challenged his compatriots to debate with him.
Kathleen Jones describes what happened when the manuscript was finished: “It was extremely difficult to get this work printed. Eventually the work was carried out on a secret press at the house of Dame Cecilia Stonor in Stonor Park, Berkshire. Lady Stonor was later to die in prison for her part in this enterprise. Owing to a shortage of type, the treatise had to be set one page at a time, and it took half a dozen typesetters (dressed as gentlemen to disarm suspicion) nine weeks to set it. On Oxford’s Commemoration Sunday, 27 June 1581, four hundred copies were found distributed on the benches of the university church. The publication of Decem Rationes caused a tremendous sensation, and efforts to capture Campion were redoubled” (Butler’s Lives of the Saints, New Full Edition, Liturgical Press, 2000, 12:3).
You can guess why I wanted to re-tell this well-known story today. We’ve come here to celebrate World Communications Day, and by chance we are doing this on the feast of the Martyrs of England and Wales. It provides a wonderful opportunity to connect these two themes of Christian witness and social communication.
The story of Edmund Campion shows us that any Christian who wants to witness to their faith beyond their immediate circle of family and friends will need to use the communications media. Not just to use them reluctantly, but to embrace them with a passion. For Campion, this meant the printing press. I love the historical detail that they didn’t have enough movable type to set the whole book. Can you imagine the frustration, and the consequent dedication that was required: to set one page, to print it; then to reshuffle type, and print the next page. Six men holed away in a Berkshire manor house for two months. And then the audacity of smuggling the printed texts into Oxford.
Are we, as the Church today, completely engaged with the communications media? Are we realising its potential for good? Are we putting our energy and intelligence into using the media effectively? Our time and people and money? What would Edmund Campion be doing today to communicate his Ten Reasons?
[Andrew Webb adds: I think Campion was arrested at Lyford Grange, not Stonor]
Posted in Culture/Arts, Media, tagged being read to, children, concentration, contemplation, food, listening, meals, monastic life, monastic tradition, parents, reading, senses, silence, stillness, The Reader, writing on May 15, 2012 | 6 Comments »
We had a week of silent retreat at the end of last month. Silence, of course, doesn’t mean silence; it means no talking. During meals it meant the clatter of cutlery and the slurping of coffee at breakfast, a selection of classical music at supper, and someone reading to us over lunch – in the monastic tradition.
It’s very rare, as an adult, that you just sit back (or hunch forward over your lunch) and have someone read to you. One part of the mind is concentrating on the words, and enjoying the language and thoughts and stories. Another part is able to be more attentive than usual to the surroundings, to the senses – the taste of the food, the sheer physical presence of the person opposite you, the sounds of the room and the world outside. And another part of the mind, or perhaps the heart, falls into a semi-conscious slumber, like when you are sitting on the back seat of the car as a child, gazing out the window, as your parents talk about important things you only vaguely understand.
And the soul, somehow, at least in the context of a retreat like this, can be liberated into a kind of domestic contemplation, a stillness that you carry from the chapel into the dining room, that isn’t disturbed by the need to chat over lunch.
It reminds me of the film The Reader (I haven’t read the original novel), where the central part of their complicated relationship is her request to be read to (I won’t give any plot away!). And one of the parents who helped me with the parents booklet gave this simple advice:
Encourage your children to read. Go to the library with them. And continue to read aloud to them, even if they can read well themselves. It gives you an opportunity to talk and learn and grow together. You can usually find a book to read to children of different ages, so your children can be together in this way now and then.
So it’s good to be read to now and then!
Do you have any moments, as an adult, when someone reads to you, or when you are in a group that is being read to? I think it’s quite rare, but I might be wrong.
There is bizarre juxtaposition of stories on the Guardian website this evening.
The third story on the home page is about James Harding’s evidence at the Leveson inquiry, and about the shame brought upon the Times by evidence of the paper’s involvement in email hacking:
Editor James Harding apologises at Leveson inquiry for hacking of email that led to naming of police blogger.
And directly above it, 8mm away, is a piece about Russian politics that revels in its exclusive access to private emails allegedly hacked by a group calling itself the Russian arm of Anonymous:
Exclusive: Hacked emails show youth group paid bloggers to praise prime minister, opponents claim.
The Guardian asked various artists, playwrights, musicians, dancers, etc. to give their top tips for ‘unleashing your inner genius’. Take a look here. It’s a great way to decide on some new year resolutions if you wish you could be more creative and adventurous over the coming year, even if the only ‘canvas’ you have to paint on is the day ahead of you
Here are some of my highlighs:
Spending time in your own head is important…
Just start scribbling. The first draft is never your last draft. Nothing you write is by accident.
Don’t be scared of failure.
The best advice I’ve ever had came about 20 years ago from Mano McLaughlin, one of Britain’s best songwriters. “The song is all,” he said, “Don’t worry about what the rest of the music sounds like: you have a responsibility to the song.” I found that really inspiring: it reminded me not to worry about whether a song sounds cool, or fits with everything we’ve done before – but just to let the song be what it is.
Mark-Anthony Turnage, composer:
Forget the idea that inspiration will come to you like a flash of lightning. It’s much more about hard graft.
Find a quiet studio to work in. Shostakovich could not have composed with the telly on.
Try to find a studio with more than one window. I work best when I have windows in two walls, for some reason; maybe it is because there is more light. At the moment, I’m working in a room with no windows. It’s not going well at all.
If you get overexcited by an idea, take a break and come back to it later. It is all about developing a cold eye with which to look over your own work.
Rupert Goold, director:
The best ideas are tested by their peaks and troughs. One truly great image or scene astride a broken mess is more intriguing than a hundred well-made cliches.
Once you have an idea, scrutinise the precedent. If no one has explored it before in any form then you’re 99% likely to be making a mistake. But that 1% risk is why we do it.
Make sure you are asking a question that is addressed both to the world around you and the world within you. It’s the only way to keep going when the doubt sets in.
An idea is just a map. The ultimate landscape is only discovered when it’s under foot, so don’t get too bogged down in its validity.
Love the effect over its cause.
I have a magpie attitude to inspiration: I seek it from all sorts of sources; anything that allows me to think about how culture comes together. I’m always on the lookout – I observe people in the street; I watch films, I read, I think about the conversations that I have. I consider the gestures people use, or the colours they’re wearing. It’s about taking all the little everyday things and observing them with a critical eye; building up a scrapbook which you can draw on. Sometimes, too, I look at other artworks or films to get an idea of what not to do.
Lucy Prebble, playwright:
Act it out yourself. Draw the curtains.
If ever a character asks another character, “What do you mean?”, the scene needs a rewrite.
Feeling intimidated is a good sign. Writing from a place of safety produces stuff that is at best dull and at worst dishonest.
Write backwards. Start from the feeling you want the audience to have at the end and then ask “How might that happen?” continually, until you have a beginning.
Break any rule if you know deep inside that it is important.
Susan Philipsz, artist:
If you have a good idea, stick to it. Especially if realising the project is a long and demanding process, try to keep true to the spirit of the initial idea.
Daydream. Give yourself plenty of time to do nothing. Train journeys are good.
Keep it simple.
It doesn’t always have to make sense.
Polly Morgan, artist:
Don’t wait for a good idea to come to you. Start by realising an average idea – no one has to see it. If I hadn’t made the works I’m ashamed of, the ones I’m proud of wouldn’t exist.
Be brief, concise and direct. Anyone who over-complicates things is at best insecure and at worst stupid. Children speak the most sense and they haven’t read Nietzsche.
Don’t try to second-guess what people will want to buy. Successful artists have been so because they have shown people something they hadn’t imagined. If buyers all knew what they wanted before it had been made, they could have made it themselves, or at least commissioned it.
Don’t be afraid to scrap all your hard work and planning and do it differently at the last minute. It’s easier to hold on to an idea because you’re afraid to admit you were wrong than to let it go.
Ian Rickson, director:
You cannot overprepare. Enjoy being as searching and thorough as possible before you begin, so you can be as free as possible once you’ve started.
Lots of this, of course, can be applied to preaching. In fact, wouldn’t our preaching take off if we really took some of this to heart (and kept praying and meditating on the scriptures and deepening our faith etc…).