People are still arguing about the root causes of the riots last summer, but no-one seems to deny that they reflect some kind of profound dysfunction or social malaise. You don’t loot a sports shop or set fire to a furniture warehouse just because you are bored or want a pair of new trainers.
I’ve just finished reading Gavin Knight’s Hood Rat. I found it terrifying and heartbreaking in equal measure. Terror at the realisation that this violent underworld is an ordinary part of so much contemporary urban life. Heartache at the suffering and alienation of the teenagers whose lives are documented here.
It reads like a thriller, and it’s packaged under the label ‘True Crime’, but it’s really a piece of investigative journalism. Knight spent two years ‘embedded’ with the police, talking to social workers, interviewing gang members and disaffected teenagers – slowly building up a picture of life on the margins of British society. The book is written as a non-fiction novel. It speaks about real experiences and real people, in their own voices; although many names have been changed, and one or two characters are cleverly created composites.
In Moss Side, Manchester, detective Anders Svensson is on the trail of drug baron Merlin and his lieutenant Flow, a man so dangerous his type is said to appear only once in a decade. Among the bleak housing estates of Glasgow, where teenage boys engage in deadly territorial knife fights every Saturday night, police analyst Karen McCluskey is on a mission to bring a new understanding to the most violent city in Europe. And in Hackney, 19-year-old Pilgrim has made himself one of the most feared gang-members in East London, wanted for attempted murder and seemingly condemned to a life of crime – until he starts to help kids like Troll, a Somali child-soldier turned enforcer, who runs drugs through the Havelock Estate in Southall . . .
In Hood Rat these narratives interlock to create a fast-moving experience of a contemporary British underworld that ranks with Roberto Saviano’s bestselling Gomorrah. Gavin Knight was embedded with frontline police units and has spent years with his contacts; here he tells their stories with sharp observation and empathy.
Knight has been criticised for his style (present tense narrative; short sentences; jumping between viewpoints), for the lack of social context, and for the fact that this kind of ‘factional’ documentary writing is more fictional than it cares to admit (the composite characters, etc) – see these thoughtful reviews from the Guardian and the Scotsman. None of this ruins it for me: I like the urgency of the style; I think the aim is not first of all social context but seeing the reality of individual lives, and then drawing some wider conclusions from that; and he is honest about the creative element in the writing. It doesn’t take away from the authenticity.
It’s been more than a good read or an eye opener for me; it’s disturbed something deeper inside me. It’s made me see how naive I am about the reality of day-to-day life for many young people and families in my own city, and in other cities around the country. And it’s made me wonder what on earth can heal this kind of social disintegration, and what can help the ordinary families trapped in these cycles of dysfunction and despair. There is very little hope in the book, despite the last chapter about pioneering work from Boston to help deal with gang crime in Glasgow.
Andrew Anthony gives you a taste of what the book is about:
Throughout history, young men have fought senseless territorial battles, but over the past two decades Britain has seen an alarming growth in lethal youth gang violence. Stories of drive-by shootings and teen killings, once thought of as distantly American, now arrive with dispiriting regularity from our own inner cities.
In the majority of cases the perpetrators are male and black (as are their victims) and almost without exception they are products of dysfunctional backgrounds with poor expectations and limited education. Often the most reliable employment for young urban Britons is the illicit drug economy, with all its inflationary brutality and social corrosion.
But once these bald facts have been established, where can the story go? There are arguments to be made about reforming drug laws, improving housing, raising educational standards and fostering a stronger sense of social inclusion. But what can be said of the gang members themselves, their core values and codes of behaviour, that doesn’t simply rehash gangsta rap cliches?
Gavin Knight’s Hood Rat is an unflinching account of life and death in the sink estates of Britain. It penetrates environments that most of us only glimpse in local news reports, and addresses the kind of people that we fear encountering on a dark night or, indeed, a bright afternoon. The question is, does it amount to genuine insight?
The book contains plenty of shocking anecdotes but few if any surprises. Anyone, for example, who followed the recent case of Santra Gayle, the north London 15-year-old who was hired to kill a stranger for £200, will be aware of the phenomenon of teenage hitmen. That’s no reason not to look deeper into the circumstances and motivations that lead adolescents to become assassins, but Knight seems less concerned with depth than focus.
He writes in an elliptical, impressionistic style, jumping around, stealing into the minds of young men and their police pursuers (we’re given access to a drug dealer’s concerns, a hitman’s internal monologue, a cop’s marital crisis). The book strives for a kind of urgent authenticity. The sentences are short and simple and framed in a relentless present tense that makes few compromises to chronology.
Knight is at his strongest in offering a gang member’s eye-view of the world, the sense of danger a street in the wrong postcode represents, the need to present a confident front, and the self-glorifying yet self-nullifying acceptance that career prospects are a choice between prison and death.